Pillows are consistently listed by interior designers as the perfect way to finish a room or freshen up an existing look. But how do you choose patterns that will complement the sofa, rug and curtains you already have without fighting the existing textiles?
There’s a tricky balance between finding coordinating pillows with enough interest to make the room look put together without crossing the line into matchy-matchy territory. You want the space to look cohesive but leaning too far into one accent colour can start to look a little dated. That being said, decor is highly personal and rules are meant to be broken. If it makes you happy, go for it!!Below, I’ve put together a few tips I’ve picked up from designers plus some pillow combos to hopefully inspire your next mix.
Odd numbers look best
Generally I’ll do pillow groupings of three or five. Keep it symmetrical if you’re going for a more traditional or formal look. When going asymmetrical, I find it works best to keep the colours closer in colour value/tone and fairly monochromatic - this makes sure the pillows read as a cohesive set vs. looking like a random mish-mash.
Are you looking to add more contrast and energy, or do you want to keep the room more muted and calming?
When planning your pillow grouping, don’t forget about mixing up textures. Keeping the tones monochromatic but varying textures is a super chic way to add interest while creating a calming space. Some amazing textural fabrics to consider are African mudcloth, boucle, velvet, linen and anything with a natural, open weave.
Juniper Linen - Charcoal Check
Limit the number of colours
Keep the number of colours to 2-3 and look for muted and earthy tones. Most designers lately are going for subdued colour vs. the strong “pops of colour” that were popular a few years ago.
Let one pattern be the star
Choosing one bold print to mix with a solid fabric in a similar tone or textured neutrals is an easy way to experiment with pattern. Most designers advise varying the scale of the patterns to create a pattern hierarchy of large and small prints. For instance, if you have a large scale floral or abstract pattern, try a smaller stripe or block print as your second fabric.